fuckyeahhotactress:

Cobie Smulders

skatieb:

this episode kind of ruined my life

Keamy makes good eggs, so it’s all good.  ;)

thefinalimage:

Thor, 2011 (dir. Kenneth Branagh)

fuckyeahbehindthescenes:

The monolith was originally to have been a black tetrahedron; however, it did not reflect light properly. Stanley Kubrick then decided to use a transparent cube, but that proved to be too difficult to use because of the reflections created by the studio lights. Next came a rectangular monolith cast from Lucite that looked unconvincing, and finally the familiar black slab.

2001: A Space Odyssey (1968)

Jonathan Nolan likes the last name Reese.

Coleman Reese from THE DARK KNIGHT, Kyle Reese from TERMINATOR SALVATION (Jonah Nolan did an uncredited rewrite), and John Reese from PERSON OF INTEREST

He likes it a lot.

good-enough-for-a-poke:

I’m gonna get you, Jeffy.

fuckyeahdirectors:

David Lynch directing Naomi Watts and Laura Harring (off-screen) in Mulholland Drive (2001)

psyfuckit:

R U Mine?- Arctic Monkeys

colosseum:

The Regulator by Clutch.

suicideblonde:

Anne Hathaway photographed by Mario Sorrenti

From the TDKR Empire issue:

Autumn 2008, and The Dark Knight has exceeded all expectations, becoming not only the biggest film of the year, but one of the biggest in history. Two of it’s creators, Christopher Nolan and co-writer David S. Goyer, who had previous collaborated on Batman Begins, meet for lunch in an LA diner. They discuss a possible new installment, which Nolan is determined will be the last, although neither can yet see how to top this latest one. Besides, how many great second sequels are there anyway? Count them on three fingers. Then, as Goyer recalls (with the caveat that, “Chris may remember this differently”), something suddenly occurs. Not a beginning, or even a plot. Not the villain, or villains. But literally the final scene of the film, and of the trilogy. He describes the denouement he’s just in one synaptic flash envisioned.

Nolan smiles.

“The final scene of The Dark Knight Rises is exactly that scene we talked about then,” says Goyer, speaking to Empire from his LA office almost four years later. “It remained completely unchanged. We both knew in our hearts that we were onto something special. I have to tell you, having finally seen everything strung together a little while ago and seeing that scene, I got a complete lump in my throat.”

ridleyscotts:

Peter Jackson, with the miniature set reproducing 1950s Newtown from the film ‘Braindead’ [1992]